拜厄特的小说《占有》中出现了多种典型的后现代理念和叙事手法。它通过拼凑法颠覆了传统的历史观,通过戏仿和自我指涉的话语将文学创作和批评结合,通过短路突出了文本的虚构性质;同时,小说又试图挣脱后现代虚无化和“唯语言论”的禁锢,表达某种确定的含义,表达对历史、文学批评和创作等问题独特的艺术思考,因而被称为“高度的传统和醒目的后现代”。 There are many typical postmodern ideas and narrative techniques in Byatt’s Possession. By piecing together, it subverts the traditional view of history, combines literature creation and criticism through parody and self-referential discourse, and highlights the fictional nature of the text through short-circuiting. At the same time, the novel tries to get rid of the postmodernism and “the only language It is called ”a high degree of tradition and a striking post-modernism" because of its imprisonment, the expression of certain determinations, and its unique artistic thinking on issues such as history, literary criticism and creation.