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中国画教育改革,应先从大格局上着眼,做补偏救弊的工作。所谓大格局即明理通法,弄清民族传统绘画的本质特征,弄清中国画流变的逻辑,弄清近代以来中国画教育的优劣功过,弄清当代中国画的现状。 中国画学是一个自足的学术思想体系,但自足并不等于封闭保守,相反这个体系有容纳消化异质文化的胃口。但近百年,尤其当代中国画教育出主入奴、反客为主,中国画学思想体系面临被断送的危险。中国画是从民族文化体系中派生出来的,根源在民族性。对它本质特征的表述,最权威、最透彻的是经——道家、儒家。
Chinese painting education reform, should first focus on the overall pattern, do remedial work. The so-called big pattern, that is, the Ming and Qing Dynasties, clarifies the essential features of the traditional ethnic painting, clarifies the logic of the changes in Chinese painting, clarifies the merits and demerits of traditional Chinese painting since modern times, and clarifies the current situation of contemporary Chinese painting. Chinese painting is a self-contained system of academic thought. However, self-sufficiency does not mean that it is closed and conservative. On the contrary, this system has the appetite of digesting different cultures. However, nearly a hundred years, especially contemporary Chinese painting education into the slave, anti-offensive, the Chinese painting and calligraphy system is facing the danger of being ruined. Chinese painting is derived from the national cultural system, rooted in nationality. The most authoritative and most thorough statement of its essential characteristics is through Taoism and Confucianism.