论文部分内容阅读
老友钟天铎兄向我推荐徐白一君的画品。天铎兄以写意擅长,按惯常的思维,白一应该也是画写意的;天铎却说不是,是画细笔规整的。这在一般人也许不可理解,但我一点不觉得意外。一阴一阳之谓道,规整写意,本是传统中的两脉,对立而又统一,分而为二仪,合则为太极,不薄今人爱古人,不薄规整爱写意,真正懂得写意之精华者绝不会贬斥规整,真正懂得规整之精华者也绝不会贬斥写意。而规整的僵板,不独写意者斥之,规整者也是不认同的;写意的放荡,不独规整者斥之,写意者同样也是不认同的。
Old friend Zhong Tian Tudor recommended to me the works of Xu Bai Yijun. God Tudor to the freehand good, according to the usual thinking, white should also draw freehand; Tudor said no, is to draw fine regular. This may not be understandable to most people, but I’m not at all surprised. A yin yang of the said road, regular freehand, this is the traditional two veins, the opposite and unified, divided into two instruments, combined with the Tai Chi, not thin this man love the ancients, not thin norms love freehand, truly understand Freehand essence of the best will not denigrate the rules, the real understanding of the essence of regulation will never derogatory freehand. The rigid and rigid, not only those who deliberately dismissed the rules also do not agree with the; freehand freemasonry, non-conforming who exclaim, freemasters also disagree.