像一坛封存的酒终于开窖,在秘藏了二十多年之后,何向阳拿出了她的诗歌集《青衿》,正式公开作为诗人的地下身份。或许,她首先是一个诗人,然后才是一个批评家及其他,诗是她文学箱子底的金银细软。由于发表时间与写作时间拉得太远,《青衿》的出版像是一件文物出土,散发着一种阔别重逢的亲切感。且不说修辞上的概括 After being secretly preserved for more than 20 years, He Xiangyang took out her poetry collection, “Bromeliad”, and officially exposed it as an underground identity of the poet. Perhaps she was first and foremost a poet, then a critic and the other, poetic of silver and gold at the bottom of her literary box. Due to the publishing time and writing time too far, “Barley” published like an artifact unearthed, exudes an absence of reunion kindness. Not to mention rhetorical generalizations