笔者试图通过研究巴洛克时期古典主义画家尼古拉斯·普桑(Nicolas Poussin)在1649年至1650年间创作的自画像中的自我形象,论述普桑的艺术理念、传记,以及艺术史学者对两张自画像的诠释和分析,一来了解普桑强调自身为艺术学者/哲学画家的身份认同,以及他意图发展的方向——光与影,同时也探寻他所承续文艺复兴时期以来艺术理论家的绘画理论与其他领域的知识。 The author attempts to study Poussin’s artistic ideas, biographies, and the interpretation of two self-portraits by art historians by studying the self-portrait in the self-portrait created by Nicolas Poussin, a Baroque classicist, from 1649 to 1650 And analyzes, to understand Poussin’s emphasis on his identity as an artist / philosopher and his direction of development, light and shadow, and on the theories of painting that he has inherited since the Renaissance, and on other areas of art theory know how.