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南条史生,现在担任东京六本木的森美术馆的副馆长。森美术馆位于六本木山本森大厦52至54层,虽然它是从2003年才开始启用的私人美术馆,但在短短的两年时间内已被塑造成日本世界级的文化输出和输入的中心。南条史生是国际著名策划人及艺术评论家,在世界艺术圈活动活跃。自20世纪80年代开始,策划过包括德国汉诺威博览会日本展览馆、威尼斯双年展、横滨三年展等重要艺术展览,并曾任英国当代艺术大奖“特纳奖”评委。南条史生本人关注亚洲艺术的发展和中国当代艺术的发展,强调艺术与当代社会的相互关系。现在,南条先生被邀请担任2006年新加坡双年展的艺术总监。本刊特请 RumikoISHIDA 女士代表《画刊》对造访上海的南条先生进行专门采访,请他谈对亚洲艺术的总体看法,并阐述在这次的新加坡双年展中所蕴涵的理念。本文中,他作为策展人对艺术家的看法很值得去体味一番。
Nanjo Shih-sheng, now deputy director of the Mori Art Museum in Roppongi, Tokyo. The Mori Art Museum, located on the 52-54th floor of Bensam Tower, Roppongi Hills, although it is a private art museum that opened in 2003, has become a world-class cultural export and import hub in just two years . Nanjo Shihsheng, an internationally renowned curator and art critic, is active in the art world. Since the 1980s, he has curated important art exhibitions including the Japan Pavilion of Hannover Fair in Germany, the Venice Biennale and the Yokohama Triennale, and has been the judge of the British Contemporary Art Award Turner Prize. History of Nanjo I personally pay attention to the development of Asian art and the development of Chinese contemporary art, emphasizing the interrelationship between art and contemporary society. Mr. Nanjo is now invited to be the artistic director of the Singapore Biennale 2006. On this occasion, we invite Ms. RumikoISHIDA to give a special interview with Mr. Nanjo who visited Shanghai and ask him to talk about the overall view of Asian art and explain the concepts contained in this Singapore Biennale. In this article, his opinion of artists as curators is worth a look.