【2013年4月11-12日】鲍:关于影像,日本的荒木经纬有些当代意义的推进,其余大都在美的过期且过剩的残羹冷炙那兜圈。时下连我窗外的鸟们叫的都凄惶了,美继续经营假象实在有些小儿科。这在一些西方哲人艺术家那已解决的问题我们至少更快捷的体会了,通过变态去接收或转移一些信号出去是视觉艺术的天职,好在你文字的机敏跳荡已然得心应手,背后有大量思想家资源可供调拨,而荒唐的现实每每闪避不开,这时的感悟就极容易 [April 11-12, 2013] Bao: As for the imagery, there are some contemporary implications of the Arakan latitude and longitude of Japan. Most of the rest are cold-blooded in the United States with expired and excess residues. Nowadays even the birds I call out the window are all in a panic, the United States continue to operate the false impression that there are some pediatrics. It is at least some quicker experience that some western philosopher artists have solved. It is a bounden duty of visual art to receive or transfer some signals through perversion. Fortunately, the vigorous jump of your writing is already handy. There are a lot of thinkers behind it For allocation, and absurd reality often dodge, when the perception is very easy