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当前国际学界掀起了一个重估浪漫主义的热潮,而国内学界对中国的浪漫主义仍抱有相当多的误解,有鉴于此,从浪漫主义在中国的最初形态来重新审视其发展,发现其潜在价值,从而为中国的浪漫主义诗歌正名,就显得很有必要。郭沫若对浪漫主义自我意志的把握和展现,在中国新诗史上具有开拓性作用,超越同时代的浪漫主义诗人,创作出气象宏伟、图景广阔的诗歌,是对鲁迅提出的“美伟强力”的新诗学范式的实践,书写出“壮美”的文学图景,引领着精神向上的道路,成为新诗史上不可忽略的向标。
At present, the international academic circle has set off a wave of revaluation of romanticism. However, the domestic academic circles still have quite a lot of misunderstandings about Chinese romanticism. For this reason, from the initial form of romanticism in China, we can reexamine its development and find its potential Value, so as to correct the romantic poems in China, it is necessary. Guo Moruo’s grasping and displaying of the romantic self-will has a pioneering role in the history of Chinese new poetry, surpassing the romantic poets of the same age and creating poems with magnificent sceneries and vast pictures, The practice of new paradigm of poetry and writing the literary picture of “magnificent” lead the way of spiritual upwardness and become the standard sign that can not be neglected in the history of new poetry.