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弋阳腔曲谱系统与昆山腔不同，亦不受宫调的束缚。其剧本中出现叠(重)句的情况，大多是帮腔。其曲牌构成比较特殊，随意性较大，使用方面较为混乱，最终导致曲牌解体，其中，曲牌类的划分、宫调的出入互用、帮腔和滚调对曲牌的破坏等是重要原因。滚调主要是从诗赞体说唱文学汲取而来，突破了曲牌联套的限制，为板式变化提供了基本条件和前提。总之，弋阳腔在板腔体戏曲形成过程中起到了至为关键的推动作用。
Yiyang cavities music system and Kunshan different, nor by the constraints of the palace. The stack appears in the script (heavy) sentences, mostly help. The composition of the tunes is rather special, more arbitrary, more chaotic in use, and finally leads to the disintegration of the tunes. Among them, the division of the tunes, the diversion of the palace tunes, the destruction of the tunes and so on are the important reasons. The tonalities are mainly drawn from the poetic rap literature, which breaks through the limitations of the kings and kits and provides the basic conditions and preconditions for the change of the slab. In short, Yiyang chamber plays a crucial role in promoting the formation of plate opera.