戴望舒作为“现代派”的代表诗人,是我国现代诗歌史上的里程碑式人物。综观其文学道路,他的诗歌创作与他的译诗工作一直相伴相随没有分开,且他本人的诗作与他的译诗之间具有一种明显的文本间的相互阐释关系。本文从意象分析入手,运用互文性理论对戴望舒诗作及其译诗间的关系进行梳理和分析,以期能够更加深入地理解戴望舒的诗歌作品。 Dai Wangshu, as the representative poet of “Modernism”, is a landmark figure in the history of modern Chinese poetry. Looking at his literary path, his poem writing has not separated from his work of translating poems, and his own poetry and his poetry have a clear mutual interpretation relationship between texts. Starting from the image analysis, this article uses the theory of intertextuality to analyze and analyze the relationship between Dai Wangshu’s poems and their translation poems with a view to understanding Dai Wangshu’s poetry works more deeply.