作为一部灵魂书,《在榕城:鸣奏三部曲》,因为林登豪别开生面的生命书写,它所折射出的光怪而陆离的城市境界与诗人自身丰富而隐秘的内心世界,不仅曲折幽深、深沉绵邈,诗里行间更有一种“影响的焦虑”·与“存在的变化”——诗人在乡村与城市之维中位移,由此带来的角色变迁与心灵反应,其间龃龉和矛盾的生成关系,于疏离与融入、拒斥与吸引二元对立中,呈现的多重而复合的感 As a soul book, “In Rongcheng: The Trilogy of Trilogy”, because Linden Hao did not write a vivid life, it reflects the bizarre and rugged city realm and the poet’s own rich and secretive inner world, not only twists and turns deep There is a kind of “deep anxiety” between the lines of poetry and “the anxiety of influence” and “the change of being” "- the poet’s displacement in rural and urban dimensions, the change of character and psychic reaction In the meantime, there is a sense of multiple and complex feelings of alienation and integration, rejection and attraction of binary opposition