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中国民间艺术中的虎以内涵丰富和造型多样成为人们审美需求和情感表达的载体。无论是基于分解、简化手法对虎的具象形态的打破,还是以“花中有虎,虎中有花”、双头虎、多重意象重组等以意象造型为主导的“虎非虎”形象的重新树立,都深刻地体现出劳动人民那种意由心生的忘我陶醉,这种对未来美好生活憧憬和期盼的意象空间也许是民间艺术留存至今的根本原因所在。
The tigers in Chinese folk art have become the carrier of people’s aesthetic needs and emotional expression due to their rich connotation and diverse shapes. Whether it is based on the decomposition, simplification of the tiger’s concrete form to break, or to “flower in the tiger, flower in the tiger”, double headed tiger, multiple image reorganization and other imagery-oriented The establishment of the image of “” profoundly reflects the intoxicated ecstasy of the working people. This kind of imagination space for the vision and expectation of a better life in the future may be the fundamental reason why folk art has survived so far.