所谓“原创意识”,是借了音乐界的一个“原创乐曲”的说法,套用到编辑工作的认识确立上来的。也就是要说明:编辑工作是一项具有原创性(或说具有创作性或独创性)的工作。 所以要谈编辑(本文以报纸编辑为参照系)的“原创意识”,是基于这样一个认知前提——长期以来,编辑工作未受到足够的重视。被看作是被动地在别人劳动成果上修修补补、编编删删,毫无生机、毫无主动性、创造性可言,至多也就是个在他人的劳动、他人的创作基础之上的“再创作”而已。因而,要突破一种认识上的樊篱,要提倡一种全新的编辑工作价值观。而对编辑及编辑工作响亮地提出“原创意识”的要求,不管是从主观上,还是从客观上,无论 The so-called “original consciousness” is borrowed from the music industry’s “original music” argument, applied to the editorial work to establish the understanding. That is to say: Editing is an original (or creative or original) job. Therefore, we should talk about the “original consciousness” of editors (in this paper, newspaper editors as the frame of reference) based on the cognitive premise that editorial work has not received sufficient attention for a long time. Is seen as a passively remedial work on other people’s work, editing deleted, lifeless, unsympathetic, creative at all, is at most, on the other’s work, others based on the creation of “ Re-creation ”only. Therefore, to break through a kind of cognitive barriers, to promote a new value of the editorial work. The editorial and editorial work loudly put forward the “original sense of consciousness” requirements, whether from a subjective or objective, no matter