被马克思称为“人类最伟大的戏剧天才”的莎士比亚及其他的作品很早就传入了中国,但对于传奇剧的研究却相对较少。20世纪70年代以来,我国对莎士比亚的传奇剧《暴风雨》分别从殖民主义、人文主义和后殖民角度进行了解读,本文试图从接受美学的角度,从不同历史时期的文化氛围影响它的接受进行整理。 Shakespeare and other works which Marx called “the greatest genius of human beings” had been introduced to China quite long ago, but there were relatively few studies on legends. Since the 1970s, China’s interpretation of Shakespeare’s legendary storm “Storm” from the perspective of colonialism, humanism and post-colonialism. This article tries to from an aesthetic point of view, from different historical periods of cultural atmosphere affecting its acceptance sort out.