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在美国文学创作领域,约翰·巴思(John Barth,1930—)一向勤于探索和革新。他对文学经典的后现代解构性重塑情有独钟。巴思的重塑持之以恒,极具系统性。他的《烟草商》(The Sot-WeedFactor,1960)、《羊孩子贾尔斯》(Giles Goat-Boy,1966)、《茨默拉》(Chimera,1972)和《水边故事集》(The Tidewater Tales,1987)按时序分别重塑了《汤姆·琼斯》(Tom Jones,1749)、《俄狄浦斯王》(Oedipus)、《一千零一夜》(The Arabian Nights)和《奥德赛》(Odyssey)等文学经典,而这一系列作品也能够大致反映巴思小说的特征
In the field of American literary creation, John Barth (1930-) has always diligently explored and innovated. He had a soft spot for the postmodernist reconstruction of the literary classics. Bath’s remodeling perseverance, very systematic. His Sot-WeedFactor (1960), Giles Goat-Boy (1966), Chimera (1972) and The Waterside Story Tidewater Tales, 1987) reshaped “Tom Jones” (1749), “Oedipus”, “The Arabian Nights” and “Odyssey” (Odyssey) and other literary classics, and this series of works can also roughly reflect the characteristics of the novel of Bath