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作为审美范畴,历来美学界对“崇高”进行了大量的研究,但是研究结果是众说纷纭的,由于受传统文化影响,各国美学界所解释的“崇高”意义也不尽相同。同理,我们研究书法审美范畴中的“崇高”形态,也只是相对意义的。本文梳理了一些历史上的“崇高”研究成果,对“崇高”首先进行了美学界定,然后深入中国书法美学思想发展史,探讨隐藏在思想深处的“崇高”意识。最后,本文通过典型体现“崇高”意味的书法作品,来揭示“崇高”书风对当代书法创作的启发及指导作用。
As a category of aesthetics, aesthetic circles have always done a great deal of research on “Sublime ”. However, the research results vary widely. Because of the influence of traditional culture, “sublime ” meanings interpreted by the American aesthetic circles are also different. In the same way, we study the “sublime” form in the aesthetic category of calligraphy, which is only of relative significance. This paper combs some historical “sublime ” research results, first of all “sublime ” aesthetical definition, and then deepen the history of Chinese calligraphy aesthetics, to explore the “sublime ” consciousness hidden in the depths of thought. Finally, through the calligraphic works that typify “sublime ”, this article reveals the enlightenment and guidance of “sublime ” style of writing on contemporary calligraphy creation.