《白雪乌鸦》以百年前哈尔滨大鼠疫为题材,通过对死亡的书写,描绘人间百态。迟子建聚焦大历史时代下的民间底层小人物,以其在鼠疫中的存在境遇为描写对象,折射出灾难下普通人物的人性,完成了对大历史的重新建构与解读。她直面死亡,以温情书写的姿态,铭记历史纵深处被忘却的生命,抵抗生之艰辛与死之绝望,彰显了悲天悯人的生命情怀。不过温情书写削弱了题材内在的独特性,消解了灾难主题的悲剧性,弱化了作品的深度和厚重感。 “Snow White Crow” to a hundred years ago Harbin plague as a theme, through the death of the writing, depicting the human world. Chi Zijian focused on the bottom of the great historical era of folk underprivileged people, with its presence in the plague as the object of description, reflects the disastrous human nature of ordinary people, completed the re-construction and interpretation of the history. She confronts death, writes in warmhearted manner, remembers the forgotten life in history, resists the hardships of life and the desperation of death, and shows the compassionate feelings of life. However, warm-hearted writing weakens the intrinsic uniqueness of the subject, dissolves the tragedy of the disaster theme, and weakens the depth and heavyness of the work.