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京剧究竟何时开始走出国门去演出,是谁首开先河把京剧介绍给异域他邦?这个关系到京剧历史重大题目的问题,至今在京剧界内部还缺乏统一的明确认识。鸿篇巨制《中国京剧史》对“京剧走向世界”专题的记述,便反映出这种情况的存在。通观该书这部分内容,我们发现它忽略了京剧史上一个重要的史实,即“跑崴子”现象。由于对此现象隐而未提,致使该权威著述在介绍和记载京剧早期出国演出的历史方面,
When does Peking Opera begin to go abroad for performances? Who initiated Peking Opera to introduce Peking Opera to a foreign state? This issue, which is related to the major topic of Peking Opera history, lacks a clear and unified understanding within Peking Opera. The grand monograph “History of Chinese Peking Opera” on the “Peking Opera to the World,” the description of the subject, it reflects the existence of this situation. Looking at this part of the book, we find it ignores an important historical fact in the history of Peking opera, that is, the phenomenon of “Running Wei child.” Due to the fact that this phenomenon is not mentioned, the authoritative writings in the introduction and record of Beijing opera early performance abroad,