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“声色”是古代文论中指称文本构成形态和基本性状的理论范畴。作为一个并列性的耦合范畴,它主要指向作品音声藻采等基础层面,历代论者对它的要求是能合自然、尚清雅、主平和,并以用极不露为至高境界,这在很大程度上反映了古人对传统文学程式化特性的提升与超越。至于此范畴的逻辑定位,则显然从属于古代形式批评理论中的艺法论范畴,并最后与风格论范畴相联通。
“Sound ” is the theoretical category of the form and basic traits of the alleged text in ancient literary theory. As a category of parallelism, it mainly points to the basic level of sounding of works and other basic requirements. It has been demanded by ancient scholars to meet the requirements of being natural, elegant and elegant, To a large extent, reflect the ancients’ promotion and surpassing of the stylized features of traditional literature. As for the logical orientation of this category, it is obviously subordinate to the category of art theory in the theory of ancient formal criticism, and finally connected with the category of style theory.