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文章以咏叹调《永别啦,过去的美梦》为例,从歌唱家卡拉斯和幺红的换气点处理入手,阐述气息在咏叹调演唱中的应用。
Taking the aria “Farewell to the past, the dream of the past” as an example, the article begins with the exchange points of singer Callas and Yuan Hong and expounds the application of breath in aria singing.