作为小说的重要功能之一,描写生活始终是小说家们一直在运用这一文体的理由。但小说之所以是小说,就在于小说绝非表现在对生活的每一个细部进行无价值的铺展。从陈武这篇近作来看,在最初的展开部分,似乎只是絮絮叨叨地将主人公吴小丽的生活进行事无巨细地打开,但伴随生活的打开,吴小丽的内心冲突也在打开,因而我们看到的就是小说所需要的一步步看似无心、实则精心的布局意识。而这所有的布局,都缘于一部小说所需要的高潮或终点。小说的终点可以出乎意料,也可以让读者突然感到生活中的现实与残酷。这部中篇二者皆具。从故事层面看,吴小丽为实现 As one of the important functions of fiction, describing life is always the reason that novelists have been using this style. But the reason why the novel is a novel is that the novel is by no means manifested in its worthless spreading of every detail of life. From the recent works of Chen Wu, in the first part of the expansion, it seems that only the life of the protagonist Wu Xiaoli was fluttered openly and exponentially. However, with the opening of life, Wu Xiaoli’s inner conflict is also being opened, so we can see Is a novel step by step seems unwary, but in fact careful layout awareness. All of these layouts are due to the climax or end of a novel. The end of the novel can be unexpected, but also allows readers to suddenly feel the reality of life and cruel. This medium article is both. From the story level, Wu Xiaoli to achieve