进入90年代,中国当代艺术走向国际舞台,而进入国际化视野伴随的是“被选择”的命运。中国艺术家为了进入西方艺术体制,一种刻意强调“中国身份”的失去文化主体性的“符号化”创作模式大行其道。本文旨在探究中国当代艺术文化立场日趋模糊之原因,为中国当代艺术如何超越“后殖民”提供借鉴和参考。 Into the 90’s, Chinese contemporary art to the international arena, and enter the international perspective is accompanied by “be chosen ” fate. In order to enter the western art system, Chinese artists have become accustomed to a “symbolic ” creation model that deliberately emphasizes the loss of cultural subjectivity. The purpose of this article is to explore the reasons for the increasingly vague Chinese cultural standpoint of contemporary art and to provide references for how Chinese contemporary art transcends “post-colonialism.”