新世纪的中国画创作有着宽广的道路,地不分南北,人不分长幼,几代画家都为中国画的发展不懈地努力着。诸如本期名家香港青年画家林天行大胆地进行着中国画创新的实验,身处现代化都市,见多了各种各样的艺术,使他对自己所从事的中国画创新更加充满信心。而贵州的老画家方小石先生,依然追求着笔精墨妙,在晚年“老树春深更著花”。成都的老画家王敬恒,以往并不被人知晓,当然也不为名所累,安心地在书房里画自己的画。国统区的版画已是往事,但却是20世纪中国美术的重要一页,记录了那个时代版画家们的奋斗历程。回顾是为了前瞻,新世纪的版画家应该学习老一辈版画家的奋斗精神。 The new century Chinese painting has a broad road, regardless of North and South, regardless of young people, several generations of painters for the development of Chinese painting unremitting efforts. Such as the famous Hong Kong youth artist Lin Tian-line brave innovation experiments in Chinese painting, living in a modern city, see a variety of art, so that he is engaged in his innovation of Chinese painting more confident. The old painter in Guizhou, Mr. Fang Xiaoshishi, still pursuing the finest in writing, in his later years, “the old tree spring more flowers.” Wang Jingheng, an old painter in Chengdu, was not known until now. Of course, he is also not so famous as to draw his own painting in his study. The printmaking of the KMT area was a thing of the past, but it was an important page of Chinese art in the 20th century and recorded the struggle of print artists of that era. The review is for the sake of foresight. The print artists in the new century should learn the spirit of struggle of older artists.