如何理解书法作品中的“意”与“象”,是书法创作与欣赏的根本问题。文章就清代文艺家刘熙载提出的“意,先天,书之本也;象,后天,书之用也。”的观点进行了肯定和论证,同时还提出了它在书法创作、欣赏中一连串的平衡关系。 How to understand the “meaning” and “image” in the calligraphic works is the fundamental problem in the creation and appreciation of calligraphy. The article affirms and argues that the viewpoints of “intention, innate, book is also used by the artist Liu Xizai in Qing Dynasty” Balance the relationship.