东张西望中法摄影四人展

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应该说,记录、商业、艺术和娱乐,在摄影的几大功用之中,并没有孰高孰低,它们各自承担和张扬着自身的价值和意义。在貌似同一行为的过程中,由于初衷的不同,也往往会得到相去甚远的结果。当然,有时这些功用也会穿插、协调、利用,而把彼此之间的界限变得模糊。这次命名为《东张西望》的摄影展上,几位摄影师从不同的角度诠释着一个相似的话题,即用唯美安静的照片来表现动感激扬的舞蹈韵律。无论是从何种角度出发,当平面的影像、简单的黑白或耀眼的色彩彼此交织,东西方文化的相互碰撞,都能够让人获得一份别致的美的体验。本次《东张西望》摄影展,由法国的两名摄影师和中国大陆及台湾的两名摄影师共同推出。这些作品兼具商业、艺术和娱乐的价值与气质,从中可以读出他们对待影像和生命的态度。虽然他们生活的国度、地域不同,文化和阅历也存在着极大的差异,但至少我们可以明确地看到,他们对周遭的事物以及对自身的热情。他们冷静地观看,理智地判断,然后又带有些许癫狂地去表现。他们的镜头没有犹疑、没有疏离,更没有故作高深地摆出哲学式的思考。在他们的作品中,那些并非常态生活中的人,都是他们看待和探究世界时所使用的符号。人与人、人与场景、人与生命,呈现着寂静、不安、柔软、坚强,这一切在作品里既纠结又圆融,这是他们各自在用影像去寻找和诘问;是一种直接对人的描摹,是试图通过表情、肢体,以及环境去表达一个摄影者对人类终极话题的讨论。 It should be said that records, commerce, art and entertainment are not high or low among the major functions of photography. They bear and publicize their own values ​​and significance. In the process of seemingly the same act, due to the different original intention, they often get far-reaching results. Of course, sometimes these functions are also interspersed, coordinated and utilized, and the boundaries between them are blurred. At this photographic exhibition entitled “Looking Away,” several photographers interpret a similar topic from different perspectives, namely, showing the dynamic rhythms of dance with beautiful and quiet pictures. No matter from what point of view, when the plane images, simple black and white or dazzling colors are intertwined, the collision between eastern and western cultures can give people a unique and beautiful experience. This “Looking Away” photo exhibition was jointly launched by two French photographers and two photographers from Mainland China and Taiwan. These works combine the values ​​and temperament of business, art and entertainment, from which they can read their attitude towards images and lives. Although there are great differences in the nationalities, geographies, cultures and experiences of their lives, at least we can clearly see that they are passionate about things around and about themselves. They calmly watched, judged judiciously, and then showed it with a little madness. Their lenses did not hesitate, did not alienate, but not pretending to put philosophical thinking. In their works, those who are not in normal life are the symbols they use when they look at and explore the world. People, people and scenes, people and life, showing a quiet, restless, soft, strong, all in the works both tangled and harmonious, which is their use of video to find and ask questions; is a direct Human tracing is an attempt to express a photographer’s discussion of the ultimate topic of humanity through expression, body, and environment.
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