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曹操诗文具有浓厚的死亡美学意味,这形成其作品“清峻通脱”“古直悲凉”的审美风格。曹操诗文的死亡美学意味主要体现在他前期的时事诗及后期的游仙诗中。曹操诗文死亡美学意味产生的主要原因是汉末战争及瘟疫流行造成民众的大批死亡,楚地悲情之风以及汉乐府体制对曹操诗文死亡美学意味的形成亦具有重要影响,而儒家、道家及道教死亡美学思想亦影响了曹操诗文死亡美学意味的形成。曹操在诗文作品中透露出来的死亡美学意味,不仅直接奠定了当时整个建安文学“慷慨悲凉”的审美基调,而且深深影响了中国后世文学创作及中国人基本的死亡美学态度。研究曹操诗文中的死亡美学意味,具有重要意义。
Cao Cao poetry has a strong sense of death aesthetics, which forms the aesthetic style of his work “pure and elegant ” “ancient straight ”. The aesthetic meanings of the death of Cao Cao’s poetry are mainly reflected in the poems of his predecessors and the poems of late immortals. Cao Cao poetry death aesthetics means the main reason is that the Han Dynasty and the plague epidemic caused a large number of people’s death, Chu style of tragedy and the Han Yuefu system Cao Cao prose poetry death aesthetics means also have a significant impact, and Confucianism, Taoism And Taoist death aesthetics also influenced the formation of Cao Cao’s sense of death aesthetics. The aesthetics of death revealed by Cao Cao in poetry and prose works not only directly established the aesthetic tone of the Jian’an Literature at the time but also deeply influenced the literary creation of the later generations in China and the fundamental death aesthetics of the Chinese people. It is of great significance to study the aesthetic meaning of death in Cao Cao’s poems.