“解构”是德里达解构主义美学的核心范畴,但在传统美学意义上,它是一个边缘的美学范畴。本文试图指出,无论解构是作为一种阅读和批评的方法,还是一种伦理和政治意义上的力量,它都是一个游移在中心之外的范畴。但正是这样一个范畴,不仅风靡了整个美学和艺术领域,而且在日常生活中也成为一种流行时尚。这对于我们今天反思精英文化和大众文化的矛盾大有启发。 Deconstruction is the core category of Derrida’s deconstructionist aesthetics, but it is a marginal category of aesthetics in the sense of traditional aesthetics. This article attempts to point out that deconstruction, both as a method of reading and criticism, or as a force of ethical and political significance, is a category that moves outside the center. However, it is just such a category that has not only swept through the entire field of aesthetics and art, but has also become a fashion in everyday life. This is a great inspiration for us to reflect today on the contradiction between elite culture and mass culture.