论文部分内容阅读
在当前中国文学语境中,蒋一谈在文体选择和美学风格上都显现出另类和孤独的气质。他明确将短篇小说作为自己的文体追求,揭示出现代社会人的残缺性及其在挣扎中对救援的渴望。蒋一谈将人类的公共文化财富潜藏于当下现实,使之与当下的中国人发生关联,在短篇小说中实现较为复杂的美学结构。以城市女性为视角进行叙述是蒋一谈小说的一大亮点,与此同时,他的小说中呈现出大量的梦境,它们与现实彼此为证共同建构起蒋一谈的短篇小说世界。
In the current context of Chinese literature, Jiang Yitian shows his alternative and lonely temperament both in terms of stylistic choice and aesthetic style. He explicitly short stories as their own pursuit of style, revealing the incompleteness of modern society and its desire for rescue in the struggle. Jiang Yi talked about lurking the public cultural wealth of mankind in the present reality, associating it with the present Chinese people, and implementing the more complicated aesthetic structure in short stories. The narration from the perspective of urban women is a highlight of Jiang Yi’s novels, meanwhile, his novels present a large number of dreams, and they and the reality testify each other to jointly construct Jiang Yitan’s short story world.