关于文学文本,二十世纪文论拈出文本效果与文本结构两个方面。《二十四诗品》“清奇品”、张炎“清空说”,指向的都是诗文本。清、奇、空,分别是独立的范畴,清奇、清空是由两个独立范畴勾连渗透组成的合体范畴。如果以文本效果和文本结构二分法看,其中的“清”皆属于文本效果。 With regard to literary texts, twentieth-century literary criticism has drawn both textual effects and textual effects. “Twenty-four poems,” “Qing Qi goods,” Zhang Yan “emptied said,” pointing to the poetic text. Clear, odd, empty, respectively, is an independent category, the Qing Qi, emptiness is composed of two separate categories combined penetration of the fit category. If the text effect and text structure dichotomy, which “clear” are all text effects.