龚开是宋末元初时期的遗民画家,其画马在遵循前人水墨画马传统风格的基础上,能做到自出新意,别拘一格。本文通过简要介绍画家的身份和所处的社会环境,比较其所作《瘦马图》与之前画家画马作品的异同,总结画家《瘦马图》的画面内容、意境、笔法以及他的绘画实践对后世画家的影响,试图客观评价他在中国画史上的地位。 Gong Kai is a painter of the late Song and early Yuan Dynasties. His paintings are based on the traditional style of the predecessors’ ink and wash painting. By briefly introducing the artist’s identity and the social environment in which he lives, this article compares the similarities and differences between the “Lean Drawings” and the previous paintings by his painters and summarizes the contents, artistic conceptions, brushwork and his painting practice On the later painters, trying to objectively evaluate his position in the history of Chinese painting.