八九雁来童道明《棋人》演完，坐在我前面的郑洞天（电影学院导演系主任，编者注）站起身来说，《棋人》比《鸟人》好。我有同感，直感是，《棋人》的戏剧冲突更人生化了，因此也更普遍化了。六十岁的何云清下了五十年棋，从棋盘上猛一拾头，看见几位棋友＂背也驼了，头发... Eighty-nine go to Tongdao Ming “chessman” played over, sitting in front of me Zheng Dongtian (director of the director of the Academy of Film, editor’s note) stood up, “Chess” better than the “bird”. I feel the same way, with a sense of straightforwardness. The drama conflict of “chessmen” is more biochemical and therefore more universal. He Yunqing, a sixty-year-old man, has fought fifty years of chess and fiercely picked him up from the board to see several chess players.