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中国画山水画作为中国画的重要的组成部分,是民族精神的体现。中国山水画中的皴法是值得我们去研究的。皴法在中国山水画中立于不败之地是把中国画技法实践提高到理论层次,实践和理论相结合。在中国山水画的发展的历程中,牛毛皴占据重要地位,它是元代画家王蒙通过实践由披麻皴发展而来的,促进了中国山水画在艺术中发展。本文主要讲的是牛毛皴在中国山水画中的重要性,并且透过王蒙的作品对牛毛皴进行解读。
Chinese painting landscape painting as an important part of Chinese painting, is the embodiment of national spirit. The law of Chinese landscape painting is worth our study. Law in the Chinese landscape painting in an invincible position is to improve the practice of Chinese painting techniques to the theoretical level, the combination of practice and theory. In the course of the development of Chinese landscape painting, Niu Mau 皴 occupies an important position. It is the development of Wang Mian, a painter of the Yuan Dynasty, developed from Pima Zhu by practice and promoted the development of Chinese landscape paintings in the arts. This article mainly talks about the importance of the bullfrog in the Chinese landscape painting and the interpretation of the cowhide by Wang Meng’s works.