论文部分内容阅读
近年来鄂温克传统服饰渐渐失去自身的设计特点,兄弟服饰文化的渗透和影响成为不容回避的社会现实,鄂温克传统服饰正面临着巨大的挑战。与此同时,现今国内的动画角色普遍缺乏民族特色和原创性,众多动画创作者不懂得如何从博大精深的民间传统服饰中挖掘、改进和创新。本项目组尝试将蒙古族、鄂温克、达斡尔族、鄂伦春族的服饰文化与动画形象设计相融合,探讨民族风味的动画角色设计的方法。本文系该项目的重要成果之一,以鄂温克题材动画和民间传统服饰的结合经验,探讨鄂温克民间传统服饰的现代表达,为未来民族题材动画创作提供借鉴。
In recent years, Ewenki traditional costumes gradually lose their design features, the penetration and influence of brotherhood culture become unavoidable social reality, Ewenki traditional costumes are facing enormous challenges. At the same time, domestic animation characters are generally lacking in national characteristics and originality. Many animation creators do not know how to tap, improve and innovate from the profound folk traditional costumes. The project team tried to integrate Mongolian, Ewenki, Daur and Oroqen costumes with the design of animated images, and explored the method of designing ethnic animated characters. This article is one of the important achievements of this project. Based on the combined experience of Ewenki theme animation and folk traditional costumes, this article explores the modern expression of Ewenki folk traditional costumes and provides reference for the future creation of national theme animation.