长期以来,人们对文革时期绘画的认识集中在了“三突出”的文艺理论、“主题先行”的创作压力、“红光亮、高大全”的创作面貌等方面,从而过分贬低了文革时期绘画创作的价值和意义。本文拟就以文革绘画直接反映文革时代精神为切入点,从文革时期的文艺理论、创作团队、绘画特点三个方面进行分析,认为文革绘画在反映时代精神、贴近现实生活、塑造典型形象、吸收民间艺术等方面值得我们今天认真学习和借鉴。 For a long period of time, people’s understanding of the painting during the Cultural Revolution has focused on the literary theory of “three prominent”, the pressure of creation of “theme first”, and the creative appearance of “red light, high school” and so on, Belittled the value and significance of painting creation during the Cultural Revolution. This article intends to use Cultural Revolution painting to directly reflect the spirit of the era of the Cultural Revolution as an entry point, from the Cultural Revolution during the literary theory, creative team, the characteristics of three aspects of painting, that the Cultural Revolution in reflecting the spirit of the times, close to real life, to create a typical image to absorb Folk art and other aspects deserve our serious study and reference today.