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开幕时间:2012年10月16日10:00展期:2012年9月30日—2012年11月22日地点:武汉美术馆1/2/3展厅参展艺术家:刘国辉郭怡孮龙瑞魏金修董继宁史国良刘进安樊枫周京新罗彬穆家善岳黔山写意精神,无疑是中国画最重要的文化审美品格。中国画观照世界的方式,不是对现实世界的模仿或再现,而是借助于审美对象并通过毛笔的书写性以表现艺术主体的思想意趣与精神品位。就审美的主体与客体的关系而言,中国画写意精神凸显的是主体的人性精神与抒情、遣兴、恣意的创造性,甚至于还夹杂着些许的潜意识表现性。但此种写意精神并未从审美客体中完全独立出来(完全独立便构成了抽象主义、表现主义),而是在整体把握形神的基础上对于以形写神的超越。就
Opening hours: October 16, 2012 10:00 Exhibition period: September 30, 2012 - November 22, 2012 Venue: Hall 1/2/3, Wuhan Art Museum Artists: Liu Guohui, Guo Yilong, Long Rui, Wei Jinxiu, Dong Jining, Shi Guoliang, Liu Jinan Fan Feng Zhou Jingxin Luo Binmu Jia Shan Yue Qianshan freehand brushwork spirit is undoubtedly the most important cultural aesthetic character of Chinese painting. The way Chinese painting looks at the world is not the imitation or reproduction of the real world but the aesthetic interest and the spiritual taste of the subject of art by means of the aesthetic object and by the written nature of the brush. As far as the relationship between the subject and object of the aesthetic is concerned, the freehand spirit of the Chinese painting highlights the humanistic spirit and lyricism, despising and unbridled creativity of the subject, even with some subconscious expressions. However, this kind of freehand spirit is not completely independent from the aesthetic object (completely independent constitutes abstractism, expressionism), but on the basis of the overall grasp of the form and spirit of God to describe the transcendence. on