1997年11月,山一证券破产,与之相比,日本人在泡沫经济时期在艺术品投资方面的失误在轰动效应上丝毫不逊色。梵高的《向日葵》就没有给日本投资人带来丝毫好处。日本经济顶峰的时候它拍卖了8.000多万美元,但再次成交价仅为2.000多万美元。艺术品作为高端的消费品,可以说是经济的神经末梢,哪个区域的经济繁荣,哪个区域的艺术品交易就会疯狂,而且机构投资者也就越肆无忌惮。1989年,20世纪建筑巨匠勒·柯布西埃的大量作品的买家就是日本大成建设株式会社,一次性花费了25亿 In November 1997, Yamaichi Securities went bankrupt. By comparison, the mistakes made by the Japanese in investing in art in the bubble economy were no less than the sensation. Van Gogh’s “sunflower” did not bring the slightest benefit to Japanese investors. At the peak of Japan’s economy, it auctioned more than 80,000 U.S. dollars, but again the transaction price was only about 20,000 U.S. dollars. Art as a high-end consumer goods, can be said that the economic end of the nerve, which area of ​​economic prosperity, which areas of art trade will be crazy, but also the more unscrupulous institutional investors. In 1989, the buyer of a large number of works by the 20th century building master Le Corbusier was Dacheng Construction Co., Ltd. of Japan, spending a one-time 2.5 billion