论文部分内容阅读
在文化理论领域中,雷蒙德·威廉斯所提出的“感觉结构”概念有着显著而持久的影响性。它已经从其本源意义升华成为一种理论性的概念。重新评估这一概念的目的是根据它在当代批评领域用语中的最彻底的重新部署来重新审视威廉斯著作中这个术语的原初阐释。当代批评领域作为一个松散的思想组织,已经被贴上了“情感转向”的标签。这种所谓的转向标志着文化理论领域的重心明显转移,它远离了先前的结构主义与后结构主义语言学理论,共同努力朝思考抽象的、难以量化的、具现经验的情感领域发展。我的观点是这种转向可以回归到威廉斯,尤其是威廉斯的语言学思考,也许可以证明在今天重新思考文学研究领域与情感的关系是特别富有成效的。
In the field of cultural theory, the concept of “sensory structure” proposed by Raymond Williams has a significant and lasting influence. It has sublimated from its origin to a theoretical one. The purpose of the reassessment of this concept is to re-examine the original interpretation of the term in Williams’s book based on its most radical redeployment in the language of contemporary criticism. As a loose intellectual organization, the field of contemporary criticism has been labeled “Emotional Turn”. This so-called shift marks a clear shift of focus in the field of cultural theory. It is far removed from the previous theories of structuralist and post-structural linguistics and worked together towards the development of emotional areas that are abstract, hard to quantify, and experienced. My point of view is that such a turnaround may return to the linguistic thinking of Williams, and Williams in particular, and perhaps prove that it is particularly fruitful to rethink the relationship between emotion and literature in today’s field of study.