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从电影《红舞鞋》(1948)至余治林的《炫舞天鹅》(2011),六十余年里,中外电影史上形成了表现手法相近的电影“黑暗舞者”群落,这些电影在人性空间的拓展上都体现出各自的优长,展示了人性的丰富;
From the movie “Red Shoes” (1948) to Yu Zai Lin’s “Dancer Swing” (2011), in the past 60 years or so, Chinese and foreign film history has formed a performance-like movie “Dark Dancer” The expansion of human space reflects their respective superiority and demonstrates the richness of human nature.