格调派、神韵派、性灵派和肌理派 ,这是中国古代的四大诗学流别。本文的重心并非分别阐释各自的理论内涵 ,而是着眼于汉以降古典诗的流变 ,从流别与题材、风格等的对应入手 ,勉力揭示四大诗学流别相继衍生、发展的学理依据以及相互之间的内在联系 ,并尝试说明流别之争的本质所在。 Gestalt school, Charm school, gentry school and texture school, which is the ancient Chinese four major poetic farewell. The focus of this thesis is not to interpret the respective theoretical connotation separately but to focus on the change of Han classical Chinese poetry. Starting from the correspondence between the farewell and the subject matter and style, the article tries to reveal the theoretical basis of the successive development and derivation of the four great poetics. As well as the internal relations with each other, and try to explain the essence of the dispute between the two countries.