论文部分内容阅读
在现代美学和哲学追求形式与内容相生相应的新形势下,镜子这一意象的构建有助于突破传统的二维映射,延展出本我—文本—他者的三维镜像世界。本文结合莱加登对文学作品结构的分层理论以及镜子对外界事物的投射、反射以及折射原理和作者意图、读者参与以及文本陈述三者间的相互作用进行阐明,这将对进一步解读文学作品内容,主、客观等因素对意义的介入以及主旨的升华有一定的启示意义。
Under the new situation that modern aesthetics and philosophical pursuit correspond to the form and content, the construction of the image of mirror helps to break the traditional two-dimensional mapping and extend the three-dimensional mirror image world of me-text-other. Based on Laygarden’s hierarchical theory of the structure of literary works and the mirror’s interaction with the projections, reflections and refractions of the external world, the author’s intention, the reader’s participation and the textual representations, this article will clarify the relationship between further literary works The main objective and objective factors have some implications for the intervention of meaning and the sublimation of the theme.