中国戏曲有一种脸谱艺术:红脸忠贞,白脸奸诈,各种角色,泾渭分明,一目了然。因此,便省却了台下观众辨识推理之繁事,观众(或读者)只须爱憎分明地闲坐着为“好人”呐喊助威,洒同情之泪;因“坏人”而义愤填膺,啐一口唾沫。由此,便养成了“观众”(读者)一种简单的审美心理:一部文学 Chinese opera has a face art: loyal faces, treacherous faces, various roles, and clear distinctions. As a result, the spectator’s (or reader’s) need not only snuggle up and down for the “good guys”, but also sprinkle tears of sympathy. He is filled with indignation and indignation. . As a result, we have developed a simple aesthetic psychology for the “audience” (reader): a literature