无论怎么说,壁画的容载量是大的。从那条野牛开始,它是能超越自然意志的,它还能记事表情,还能接纳教义和信仰,还能“愉悦”环境和人。 壁画的宏容和淳厚是因为它有宽阔的可读性,把教义和戒律画到墙上能熏染更多的人;它还有蓄久性,把事由刻置于墙能做成史记;它还有可用性,拣选有颜色的石片把墙包裹起来可以悦目。这一切都合成了壁画的产生和存在,也就合成了这个里层是麻刀抹成的平面的“灿烂”。这“灿烂”使人想把它归为己有时,才发现原来的画是墙,没有办法,就把墙皮一起揭下来搬到大英帝国博物馆的玻璃橱窗里去了,供人们去看那画。这样,画底下的那些麻刀也和画一起身价百倍了。 No matter how to say, the capacity of murals is large. Starting from the bison, it can transcend the will of the natural world. It can also record things, accept doctrines and beliefs, and “delight” the environment and people. The magnificence and honesty of murals are due to its broad readability, its ability to draw more people by drawing on the walls of doctrines and precepts, There are also usability, pick the color of the stone wrapped in the wall can be pleasing. All of this combined the production and existence of the murals, and synthesized the “brilliant” layer of this plane, which was draped with mahogany. This “splendid” reminds one to classify it as his own, only to discover that the original painting was a wall. If nothing had been done, he peeled the wall together and moved it to the glass window of the British Empire Museum for people to see the painting . In this way, those who under the painting of knives and painting together worth a hundred times.