龚先生的书,最早读到的是《书艺丛谈》与《四十自述》二种,深喜他书中博雅、畅达的文风。不知不觉间,《汉代思潮》、《唐代思潮》、《明代思潮》、《儒学新思》、《佛学新解》、《道教新论》、《中国文学史》都被我购置架上,《国学入门》、《文化符号学》、《近代思潮与人物》等名作亦常伴我于案头灯下。先生讲文学史首重观念,带你探寻文学本身发展的内在结构;讲国学则着力于养成通识、成就通人,强调在知识与心态上通贯地掌握事事之外理,切近而思远。若干年后,因寒碧师创办《诗书画》杂志的机缘,得以拜识先 Mr. Gong’s book, the earliest reading is “book art Cong Tan” and “forty readme” two, delighted with his liberal arts, accessible style. Unconsciously, “The Trend of Thought in Han Dynasty”, “Trend of Thought in the Tang Dynasty”, “Trend of Thought in Ming Dynasty”, “New Thought of Confucianism”, “New Interpretation of Buddhism”, “New Theory of Taoism”, “History of Chinese Literature” , “Guoxue Guoxue”, “cultural semiotics”, “modern thought and figures” and other masterpieces are often accompanied by me under the desk lamp. Mr. Wen said the first concept of literary history, take you to explore the inner structure of the development of literature itself; talked about the traditional Chinese studies are focused on the development of general knowledge, achievements of all people, emphasizing the knowledge and mentality to grasp the affairs of everything, Siyuan. A few years later, due to the creation of Hanshin division “Poetry, calligraphy and painting” magazine opportunities, to be first to understand