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随着中国新闻摄影的不断发展,报刊开设专题摄影的专版已成为“时尚”。 但是,我们却缺少许多能成熟驾驭专题摄影报道的摄影记者,因此,成组照片的泛滥就在所难免了。这主要表现在题材单一乏味,摄影语言平淡,照片间缺乏逻辑联系等。作为从事专题摄影的编辑,笔者困惑不少,在这里提出来和大家一起探讨研究。 本文讨论的“专题摄影”,一般由数幅至十余幅有相互联系的图片组成,是通过讲述新闻故事、记录新闻事件或展现社会现象来表现明确主题和摄影记者评判
As China’s news photography continues to evolve, the special edition of thematic photography has become a “fashion”. However, we do not have many photojournalists who can maturely master thematic photography, so the flood of group photos is inevitable. This is mainly manifested in a single boring theme, photographic language plain, the lack of logical links between photos and so on. As a photographer engaged in thematic photography, the author a lot of confusion, here proposed to discuss with everyone. The “thematic photography” discussed in this article generally consists of several to more than ten interlinked pictures, which express clear themes and journalists’ judgments through narrating news stories, recording news events or displaying social phenomena