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先秦两汉的传世文献和出土文物都表现出对吴越战争的关注,这一时期可称道的“越女”也多与战争相关,其中既有真实记载的“昭夫人”、普通女伎,也有为吴越战争添上一抹传奇色彩的神剑“越女”以及“越女”西施。六朝及唐代,“越女”逐渐虚化为一个审美符号,在这一股唯美思潮中掩盖的还有近乎传奇的“南越女”。辨析这一系列“越女”形象,不仅有助于认识“越女”形象文学化的过程,还有益于揭橥东南文化的迁移轨迹及其特点。
Pre-Qin and Han Dynasties handed down from the literature and unearthed relics have shown concern for the Wu-Yue war, this period commendable “more women ” are also mostly associated with the war, both the real records of “Madame”, “ordinary woman Kabuki, but also for the Wu-Yue war to add a touch of legendary sword Excalibur ”more women“ and ”more women “ Shih Tzu. The Six Dynasties and the Tang Dynasty, ”Yue Nv“ gradually fades into an aesthetic symbol. In this aesthetic trend, there is an almost legendary ”girl from the South Vietnam.“ The analysis of this series of images of ”more women“ not only helps to understand the process of ”literary" literaryization, but also helps reveal the trajectory and characteristics of Southeast Asian culture.