中国人物画在二十世纪的绘画史中有着独特的际遇。一方面，它不象山水画与花鸟画那样，有牢固深厚的传统作为支持：同样，它也不象从事这两个画种的画家那样承受着传统带来的巨大压力。因而，面对西方绘画的冲击，它具有更多的认同和接受能力。另一方面，由于这个世纪特殊的社 Chinese figure painting has a unique experience in the history of painting in the twentieth century. On the one hand, unlike the traditional paintings of landscapes and flowers and birds, it has strong and strong traditions as its support: likewise, unlike the painters who engaged in these two kinds of paintings, it does not endure the tremendous pressure of tradition. Therefore, in the face of the impact of Western painting, it has more recognition and acceptability. On the other hand, due to this special century society