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从二○二二年度中国书协主办的全国书法评比性展览的数据来看,行草书一如既往位居诸书体之首,楷书一跃成为该年第二大书体,隶书降位第三,篆书屈居诸书体之末。从对二○二二年所有全国展(除书体单项展)的数据来看,各书体的数据统计结果及其表现形式基本一致。笔者以首届“沙孟海杯”全国书法作品展为例,统计其评审过程中各书体的数据及其变化,分析二○一三年度各书体在当前展览中所存在的问题与原因。
From the data of the National Comparative Calligraphy Exhibition hosted by the China Association of Chinese Calligraphers in 2012, the cursive cursive scriptures, as always, are among the first in book style, while the regular script style has become the second-largest book style in the year, Seal script at the end of various books. Judging from the data on all the national exhibitions in 2012 (except for booklet solo exhibitions), the statistics and the expressions of the books are basically the same. Taking the first “Shamenghai Cup” national calligraphy exhibition as an example, the author statistics the book data and its changes in the review process, analyzes the problems existing in the current exhibition in the book body in 2013 and the reason.