如果要为《出嫁女》归纳一个“主题”的话,那么这只需两个字:死亡。影片中,五个少女怀着渴望,以一种兴奋的心情精心策划一次集体死亡——吊颈自杀。在这五个少女心中死亡是与一般人所理解与想象的是截然不同的,对于一般人来说,死亡是一片恐怖的荒野,它将绚烂归于死寂,将有机生命的繁驳美丽化成无机物的冷漠静止。死亡是一切生命恐惧然而不可抗拒的宿命。史前人类于是为克服、战胜死亡的恐惧而创造了无数再生、转世的神话。在那些神话中,人在死与生之间循环,就像在梦与醒之间循环一样,每一次沉睡意味着一次觉醒,每一次死去则意味着一次新生。于是,走向死亡,也就是去迎接新 If you want to summarize a “theme” for “married woman,” then it takes only two words: death. In the film, five young girls craving a collective death with an excited mood - hanging his neck and committing suicide. Death in the hearts of these five young girls is completely different from what most people understand and imagine. For the average person, death is a terrible wilderness. It glorifies the ghosts into silence and turns the organic beauty of life into indifference to inorganics still. Death is an irresistible fate of all life. Prehistoric humans thus created the myth of innumerable reincarnation and reincarnation in their fear of overcoming and defeating death. In those myths, people circulate between death and life, just as the cycle between dreams and awakenings, and every sleepiness means a wakefulness, and every death means a new life. So, to death, that is, to meet the new