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弄清楚观众是怎么从电影中感受到美的,这个课题是很有趣的,因为它揭示着一部电影要如何拍才能让观众喜欢。这个简单至极的问题困扰了无数的电影工作者上百年。在影视剧课程的教学中我们也常常很多学生都希望能从美学角度找到一个必然的规律。因此我们将那些不系统的艺术理论和无序的观影及实践经验总结起来,从麦茨的研究方向和方法出发而不是从他的结论出发,将电影对内容的叙述过程看做是一门语言,从符号学的角度每个镜头看做一个符号,每
It is interesting to understand how the viewer feels beautiful from the movie as it reveals how a film should be shot before the viewer likes it. This simple problem plagued countless movie workers for a hundred years. In the teaching of film and television drama courses, we often also many students hope to find a necessary law from the aesthetic point of view. Therefore, we summarize the unsystematic art theory and the disorderly view and practical experience, starting from Metz’s research direction and method rather than from his conclusion, and regard the narrative process of the film as a content Language, from the semiotic point of view of each lens as a symbol, each