“人品即画品”是中国古代文艺美学的重要命题,“画因人贵”也是中国传统艺术批评的重要标准。中国画是重“品”的艺术,人的道德修养和人的理想人格是决定绘画作品高下的重要尺度,这种理论观念很大一部分是受儒家伦理说尤其是“修身为本”的影响而使然。“人品即画品”的命题强调人品对画品的制约作用,强调艺术家培养高尚的品德情操,这是有着积极意义的,然而另一方面也有很大的弊端,有失公允。 “Character is the painting ” is an important proposition of ancient Chinese literature and art aesthetics, “Painting people ” is also an important standard of Chinese traditional art criticism. Chinese painting is the art of “quality”, the moral cultivation of man and the ideal personality of man are the important measures that determine the drawing of works of painting. A large part of this theoretical idea is influenced by Confucian ethics, especially “self-cultivation ”The impact of the result. The proposition of “character is painting” emphasizes the restriction of character on the painting, emphasizing that artists cultivate noble morality, which has positive significance. However, on the other hand, it has great disadvantages and is unfair.